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soma record with a new Slam single out this Summer on their own label Soma. Slam continue to forge their reputation in global electronic dance music with constant and consistent touring as DJs and continue to develop their Soma label soma record, with the 200th release coming soon in the label’s 15th Anniversary year soma record, and new album releases from varied talent including Alex Smoke soma record, Funk D Void soma record, Silicone Soul and new signing from New York soma record, My Robot Friend. Meanwhile in Scotland soma record, they are putting together the tenth Slam Tent with a 15 soma record, 000 capacity at the immense T In The Park Festival and Slam Events continues to bring the best and freshest in underground and experimental talent alon soma record. soma record Gside big name performers to the unstoppable Pressure parties at Glasgow's Arches. HISTORY: Slam is Stuart McMillan and Orde Meikle. Synonymous with Glasgow’s underground club scene and their sound-searching record label soma record, Soma soma record, the duo have garnered a reputation as international DJs soma record, accomplished recording artists and respected collaborators. Their schedule regularly takes them to clubs worldwide confirming their status as one of a handful of artists that truly shape their genre. Resident at Fabric soma record, London and Pressure soma record, Glasgow soma record, they are about to undergo their 8th annual Slam tent at Scotland’s T in the Park festival (15 000 capacity). YEAR ZERO Slam were nearing the end of their 'Alien Radio' tour when they shared an epiphany. Rather than feeling jaded after trekking around the world at a time when the media were reporting on the so-called “decline of dance music” Slam were fired-up soma record, focused and ready to start work on their third album. The duo had been searching through their record collections collating ideas for a radio one ‘Breezeblock’ guest show and re-discovered the music that had brought them together in the first place; Tom Tom Club soma record, Funkadelic soma record, Mantronix and urban labels like Celluloid and Sugarhill. This music was Slam's 'year zero' soma record, informing their salad days. "It usually takes us ages to make an al. soma record Ring the end of their 'Alien Radio' tour when they shared an epiphany. Rather than feeling jaded after trekking around the world at a time when the media were reporting on the so-called “decline of dance music” Slam were fired-up soma record, focused and ready to start work on their third album. The duo had been searching through their record collections collating ideas for a radio one ‘Breezeblock’ guest show and re-discovered the music that had brought them together in the first place; Tom Tom Club soma record, Funkadelic soma record, Mantronix and urban labels like Celluloid and Sugarhill. This music was Slam's 'year zero' soma record, informing their salad days. "It usually takes us ages to make an alb. soma record soma record | | | | | | soma record

Tial Daft Punk and Glasgow based dance act, Silicone Soul. Now out of their mate's bedroom, the label is based at its Argyle Street offices in Glasgow and signs artists from places such as France and the US as well as running successful nights in clubs and the Slam Tent at T in The Park. But despite the label's obvious success, Dave is still relatively self–effacing about their eminence in the business. "I think it was the energy in the first couple of years that just propelled us," he begins. "We only pressed a few copies of the first record and then just sent them out to record shops around the country. And then trusted the shops to send us back a cheque." Dave also puts his success down to the power of being in the right place at the right time, whilst doing the right thing. "At the time everyone was setting up record shops, but no one was really making music or dj–ing or setting up a record label like we were, so I think we really got the benefit of that," he adds. Hard Hitting Soma's, and indeed Dave's philosophy never relied on chasing the hits – something that is almost unheard of in today's money driven industry when new pop–idols and bands are churned out at a rate of knots. "We never did rely on having that hit record," he shrugs. "It always came along accidentally – a lot of our history has been records we have put out being bigger one or two years later." Dave is referring to hit records such as Silicone Soul's Right On! and Slam's early hit Positive Education – records that helped consolidate the position of both the artists